This was the Serafina that Lonan knew best—the Serafina after the Porfirios died. Afraid of its own coasts but too poor to move. Dreading the change of seasons. Quietly taking Mistress Leroy’s sleeping herbs and forgetting the names of its dead.
Soon, echoes began to shush their footsteps and salty humidity began to coat their tongues. The ground became slippery. Orlaith emerged first beneath an outcropping sharp as canine teeth, set into the side of a plunging cliff. The rock met the sea in a short band of pebbles and pink sand.
Just then the windchimes banged together and Lonan appeared with a gull feather tucked behind his ear. He broke in between the three of them, hoisting Meredy and Merle up like cats by the scruff.
A solitary auburn-haired figure pored over amber shards split open on a table stacked with maps. With a heavy needle, they chipped at the crinkled legs of spiders and wasps trapped inside. The two seagull feathers sat next to an aged sextant on the maps.
A young man crouched over the embers, stirring them with a stick. His black curls were pulled back in wet strands and a raven skull leered on the shoulder of his tatty greatcoat, spewing its own feathers.
The jeweler’s house, at the bottom of the incline, boiled like a cauldron. Lonan plaited tough thread and rum-mixed resin through Shay’s sweaty hair, patterning crushed cockle shells in braids away from Shay’s hairline. His fingerwork was tight and precise.
Here are my top picks for perception-twister, on a scale from "It Messes With You" to "My Brain Is Dripping Out My Ears and I'll Never Feel Safe Again."
Finally getting settled in the new digs, so this gallery will end off the power metal album mini-series. Get a load off the lighting visuals. Soak in the expressive settings, and think about why they work--what details can you add to your story worlds that give them more kick? (Marchen Station, by the way, has …